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dc.contributor.authorEstrela, Sarah M.
dc.date.accessioned2016-03-22T14:07:23Z
dc.date.available2016-03-22T14:07:23Z
dc.date.issued2015
dc.identifier.otherW Thesis 1476
dc.identifier.urihttp://hdl.handle.net/11040/24315
dc.descriptioni, 114 leaves : illustrations (some color).en_US
dc.descriptionIncludes bibliographical references.
dc.description.tableofcontentsApproaching Africa : the origins of Douglas's Modernist Primitivism -- Douglas at the Barnes : its impact on Aspects of Negro life -- Douglas's continued use of Afrotropes : the denial of coevalness in Haitian mural and conflation of origins in Untitled (African ritual).
dc.language.isoen_USen_US
dc.publisherWheaton College (Norton, Mass.)en_US
dc.subjectUndergraduate research.
dc.subjectUndergraduate thesis.
dc.subject.lcshDouglas, Aaron.
dc.subject.lcshDouglas, Aaron -- Criticism and interpretation.
dc.subject.lcshAfrican American painters -- Tennessee -- Nashville.
dc.subject.lcshBarnes Foundation -- Art collections.
dc.subject.lcshHarlem (New York, N.Y.) -- Intellectual life -- 20th century.
dc.subject.lcshPrimitivism in art.
dc.subject.lcshArt, African.
dc.subject.lcshArt, Primitive.
dc.subject.lcshMural painting and decoration, American -- Tennessee -- Nashville.
dc.subject.lcshAfrican American artists.
dc.subject.lcshBlacks -- Race identity.
dc.subject.lcshHarlem Renaissance.
dc.subject.lcshBarnes Foundation.
dc.titleAaron Douglas and the Barnes Foundation : the complexities of racial identity.en_US
dc.typeThesisen_US


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