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dc.contributor.authorEsten, Eric.
dc.date.accessioned2017-04-26T17:43:10Z
dc.date.available2017-04-26T17:43:10Z
dc.date.issued2016
dc.identifier.otherW Thesis 1502
dc.identifier.urihttp://hdl.handle.net/11040/24397
dc.descriptionii, 117 leaves.en_US
dc.descriptionIncludes bibliographical references: leaves 105-117.
dc.description.abstractThis thesis, “Joyce’s Voices: Power and Polyphony in Ulysses” examines James Joyce’s 1922 novel, Ulysses, in its turn of the century Dublin cultural context. Through the analysis of myriad primary resources, the thesis argues that Ulysses exposes, challenges, and subverts the conventions of women’s language in Dublin popular discourse, through its structure as a polyphonic novel, or a text that incorporates multiple voices. In making this claim, the thesis contributes to Ulysses’ scholarship both by emphasizing the importance of primary sources in historicist readings of the novel, and by re-assessing depictions of gender in Joyce’s work.en_US
dc.description.tableofcontentsDueling discourses -- "Who painted the lion?" -- "...yes I said yes I will yes"
dc.language.isoen_USen_US
dc.publisherWheaton College (Norton, Mass.)en_US
dc.subjectUndergraduate research.
dc.subjectUndergraduate thesis.
dc.subjectJoyce, James -- 1882-1941 -- Ulysses.
dc.subjectJoyce, James -- 1882-1941 -- Criticism and interpretation.
dc.subjectJoyce, James -- 1882-1941 -- History and criticism.
dc.subjectDublin (Ireland) -- In literature.
dc.subject.lcshGender identity in literature.
dc.titleJoyce's Voices : power and polyphony in Ulysses.en_US
dc.typeThesisen_US


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